As I used the same model from my High Temperatures Shoot we quickly spoke through my plans for the next shoot before going back to hair and makeup. I showed the Photographer my inspiration for the lighting which was a halo of light around her. We also spoke about what background would go best. I spoke to my model how this was going to be a strong look shoot so her poses would have to be quite bold.
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| Inspiration from iPad. |
WHAT WENT WELL
The lighting worked perfectly for this shot and directs your eyes right to the model. The fullers earth mixture mixed with the orange and created that cool effect I had got from my testing stages. We had the big screen so we were able to zoom in on the pictures and work out little details.
I was revealed with how easy the fullers earth went on as I was worry it wouldn't set right and create the effect I wanted.

STRUGGLES
The shoot as a whole there were no struggles the model really understood the look I was going for and the lighting was perfect straight away we didn't need to play around.
The only thing when shoot I realised the shape of the models face wasn't exactly how I imagined it in my head so we stopped the shoot and had a quick play around on photoshop to liquify and pulled her jawline in a bit. The liquify tool instantly brought the image to life and made them more powerful this is just what I wanted.
REVIEWING THE OVERALL EFFECT
This shoot turn out well and I liked the pictures once we had sharped up her jawline. If I was to shoot this look again I would maybe find a different model who had a sharper jawline although this wasn't a huge problem for me. I wanted the model to be the same as the high temperatures shoot.
EDITING
As I previously spoke out I wanted to liquify the models face for a sharper jawline. We also played around with the sharpness tool to add more definition into the cracked effect on the neck.
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WHERE TO GO FROM HERE - My next shoot I want to do is my shoot on carbon gases I have been speaking to the photography department and they said with real smoke I won't be able to shot inside. This is something I really wanted to do to keep my photos as realistic as possible. He told me a few great locations to shoot in. I decided to chose the common as it would be contract against the smoke.
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